The developed pieces are shown below the original sketches they started from and categorised by printmaking method.

MONOPRINTS

Sketchbook – fineliner on tracing paper from memory

Blind drawing from memory in Akua Black ink transfer on cartridge paper

Sketchbook – monoprint on Fabriano paper in ultramarine/cadmium yellow/cadmium red acrylic paint, hay and needles on paper

Monoprint on Snowdon paper in Sepia/Process Yellow and Black Akua etching ink

Sketchbook – Conte crayon on paper

Monoprint on Snowdon paper in Akua Process Yellow/Sepia with ink transfer in Akua Black

Monoprint in Yellow Ochre/Orange acrylic paint with Akua Sepia ink transfer

ZINC AND AQUATINT ETCHINGS

Zinc plate and aquatint oil etching printed on Hahnemulle paper in Intaglio Sepia

Zinc plate and aquatint oil etching printed on Hahnemulle paper in Intaglio Burnt Umber

Sketchbook – digital drawing, graphite, fineliner and watercolour on paper

Zinc plate and aquatint oil etching printed on Snowdon paper in Intaglio Cyan/Process Yellow/Raspberry Red mix

DIGITAL MEDIA

Sketchbook – graphite and partial digital image

Digitally manipulated designs for prints

Digitally manipulated image from solar plate etching (see below)

DRYPOINT

Sketchbook – graphite and watercolour on paper

Drypoint etching printed in Sepia Caligo Safewash monoprinted Sepia/Process Yellow

SOLAR PLATE ETCHING

Solar plate etching printed in Sepia Caligo Safewash

Sketchbook – Conte crayon on paper

Solar plate etching printed in Sepia Caligo Safewash

Sketchbook – fineliner on paper

Solar plate etching in Akua black on Snowdon paper

CARBORUNDUM

Carborundum with Akua Black etching ink on Fabriano paper

Carborundum with Akua Black etching ink and monoprint in Process Yellow Akua ink on Fabriano paper

Carborundum ghost print on newsprint